Here are Trailers of some of the upcoming shows coming soon to a bat channel near you… Fox, I mean Fox Channel : )
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Combining action and drama with friendship and humor, LETHAL WEAPON reboots the hit movie franchise, as it follows classic cop duo Riggs and Murtaugh, who are working a crime-ridden beat in modern-day Los Angeles.
Grief-stricken after the loss of his young wife and unborn child, ex-Navy SEAL-turned-detective MARTIN RIGGS (Clayne Crawford, “Rectify”) moves to California to “start over” at the LAPD. He’s paired up with ROGER MURTAUGH (Emmy Award nominee Damon Wayans, Sr., “My Wife and Kids,” “In Living Color”), who’s just coming back to the job after a near-fatal heart attack. Riggs’ penchant for diving headfirst into the line of fire immediately clashes with Murtaugh’s prudent, by-the-book technique. It’s clear from the moment they meet, this partnership could be lethal. But during their first case together, Riggs drags Murtaugh on a high-speed chase culminating inside the Long Beach Grand Prix and into a seaport shootout with drug dealers – and despite his protests, the older cop feels more alive than he has in years. Meanwhile, Riggs gets a glimpse of why Murtaugh is so determined to get home safely at the end of each day – he’s got a family and a newborn baby of his own. By the time their investigation ends, Riggs realizes he may have found something worth living for – a partner and friend like Murtaugh. And even Murtaugh figures this arrangement might just work out after all. If only Riggs doesn’t get them killed first…
Featuring the voice of Jason Sudeikis (THE LAST MAN ON EARTH, “Horrible Bosses,” “We’re the Millers”), SON OF ZORN is a new hybrid live-action/animated comedy about an animated warrior from a faraway island in the Pacific Ocean – where everything and everyone is animated – who returns to Orange County, CA, to win back his live-action ex-wife and teenage son. ZORN (Sudeikis), the Defender of Zephyria, Conqueror of the tribes of Agon, decapitator of the dark herdsmen of Grith, has fought in countless epic battles throughout his life, but may find the greatest challenge of all when travels back to suburbia to reconnect with his family.
Once there, Zorn finds himself estranged from his son, ALANGULON or just “Alan” (Johnny Pemberton, “21 Jump Street”), a 17-year-old with a mellow, P.C. attitude; and Alan’s mother, Zorn’s ex-wife, EDIE (Cheryl Hines, “Curb Your Enthusiasm”), a former wild child now living the life of an upper middle class mom. Zorn’s efforts to win them back are complicated by the fact that Edie is now engaged to CRAIG (Tim Meadows, “Saturday Night Live”), an online psychology professor and a stable presence in their lives. Nevertheless, to be a good dad, Zorn commits to remaining in Orange County for the long haul, renting an apartment and even working in the exciting field of industrial soap sales under his boss, LINDA (Artemis Pebdani, “Scandal,” “It’s Always Sunny in Philadelphia”), who likes his passion, but just wants him to rein it in at the office. As he adjusts to life in the suburbs, Zorn is the classic fish out of water, navigating his way through fatherhood, divorce and a boring office job. Sure, as an overlord of pain, he defeated glombeasts, wolf-bats and bloodthirsty arachnobots, but now he’ll go toe-to-toe with a new set of enemies: meter maids, dress codes and the DMV.
Police work isn’t rocket science. It’s harder. Inspired by true events, APB is a new police drama with a high-tech twist from executive producer/director Len Wiseman (LUCIFER, “Underworld”) and executive producer/writer Matt Nix (“Burn Notice”). Sky-high crime, officer-involved shootings, cover-ups and corruption: the over-extended and under-funded Chicago Police Department is spiraling out of control. Enter billionaire engineer GIDEON REEVES (Emmy Award and Golden Globe nominee Justin Kirk, “Tyrant,” “Weeds”).
After his best friend is murdered in a botched attempted robbery, and the killer remains at large, Gideon demands justice. Putting up millions of dollars of his own money, he makes an unprecedented deal to take over the troubled 13th District – and reboot it as a private police force: better, faster and smarter than anything seen before. With cutting-edge technology created by Gideon himself, this eccentric yet brilliant outsider challenges the city’s police force to rethink everything about the way they fight crime. But the near-overnight transition to the city’s most advanced police district doesn’t sit well with all of its members. Gideon knows if he’s going to change anything, he needs an ally, whom he finds in OFFICER THERESA MURPHY (Natalie Martinez, “Kingdom,” “Under the Dome”), an ambitious, street-smart cop who is ready to embrace Gideon’s technological changes. With the help of Gideon’s gifted tech officer, ADA HAMILTON (Caitlin Stasey “Reign”), he and Murphy embark on a mission to turn the 13th District – including a skeptical SGT. NED CONRAD (Ernie Hudson, “Grace and Frankie,” “Ghostbusters”), and determined OFFICERS NICHOLAS BRANDT (Taylor Handley “Vegas,” “Southland”) and TASHA GOSS (Tamberla Perry “Boss”) – into a dedicated crime-fighting force of the 21st century.
From executive producers Dan Fogelman (“Cars,” “Crazy, Stupid, Love.”) and Rick Singer (“Younger,” “American Dad”), PITCH is the dramatic and inspirational story of a young pitcher who becomes the first woman to play Major League Baseball.
A beautiful, tough and gifted athlete, GINNY BAKER (Kylie Bunbury, “Under The Dome”) is vaulted into instant fame when she’s called up by the San Diego Padres to make her Major League debut. Like any rookie, Ginny must prove herself to her teammates. Foremost among them is MIKE LAWSON (Mark-Paul Gosselaar, “Franklin & Bash,” “NYPD Blue”), the team’s ruggedly handsome star catcher. There’s instant chemistry between them, although neither dares admit it. After all, Mike is captain of the team and a few of his players don’t even want Ginny on the field. One of the players watching Ginny’s back is center fielder BLIP SANDERS (Mo McRae, “Sons of Anarchy”), an old friend from the minor leagues. Guiding her is her agent/confidante AMELIA SLATER (Ali Larter, “Legends,” “Heroes”). Amelia saw Ginny’s star potential early on and left her previous job as a Hollywood publicist to concentrate on the young phenom. Although groomed for this moment by her demanding father, BILL BAKER (guest star Michael Beach, “Sons of Anarchy”), the end of Ginny’s improbable journey is the beginning of an almost impossible one: representing her gender as she embarks on a successful baseball career under the glare of the white-hot media spotlight. It’s a goal hard enough for anyone to achieve – except this player is also a woman, who happens to be the most important historical figure in sports since Jackie Robinson. This season, Ginny Baker will be the other woman trying to break into one of the oldest, most exclusive men’s clubs in the country.
Produced by Phil Lord and Chris Miller (“Lego Movie,” “21 Jump Street”), and written by Julius “Goldy” Sharpe (“The Grinder,” FAMILY GUY), the new comedy MAKING HISTORY follows three friends from two different centuries as they try to balance the thrill of time travel with the mundane concerns of their present-day lives.
Two shows in one, it’s both a rollicking historical adventure, and a contemporary comedy about love, friendship and trying to fit in to an increasingly complex and impersonal world. DAN CHAMBERS (Adam Pally, “The Mindy Project,” “Happy Endings”), a computer science professor at a small Massachusetts college, recently discovered time travel and has been transporting himself back to the 1700s to spend time with the colonial woman he’s fallen for. In the present, Dan is an unpopular nerd. But by claiming song lyrics, lines from movies and stand-up bits as his own in the 18th century, he’s absolutely hilarious – he gets the girl and makes friends. But Dan’s actions in the past are messing up the present. That woman he’s dating is not just any woman. She’s Paul Revere’s daughter, DEBORAH (Leighton Meester, “Gossip Girl”), and Dan’s meddling in the past causes her father to delay his famous ride, which may have altered the outcome of the entire American Revolution. To set matters right, Dan enlists the help of his colleague, CHRIS PARISH (Yassir Lester, “Girls,” “Key and Peele”), a brilliant, polished and popular history professor, who’s now given the incredible opportunity to actually live the history he teaches. Can Dan, Chris and Deborah save America as we know it? Can a woman from 1775 adapt to life in 2016? Can the three intrepid time travelers improve the past, help the helpless, fight for justice and get rich?
THE MICK is a no-holds-barred single-camera comedy that gives new meaning to the phrase “dysfunctional family.” MACKENZIE aka “MICKEY” (Kaitlin Olson, “It’s Always Sunny in Philadelphia”) is a brash, two-bit hustler from Rhode Island who has spent her entire life shirking any semblance of responsibility. Lacking any drive, but in constant search of the next easy payday, Mickey is not without her charms. She’s smart, she’s fun, and despite all appearances, her head’s always in the game. She just needs a big win. That win kinda, sorta comes true when, looking for a handout, Mickey visits her estranged sister and billionaire brother-in-law in Greenwich, CT, but gets more than she bargained for, as this absurdly rich couple flees the country to escape federal fraud charges. In a surprising turn of events, Mickey must assume guardianship of their three high-maintenance and ill-parented children: SABRINA (Sofia Black D’Elia, “The Messengers,” “Gossip Girl”), an ambitious, 18-going-on-30-year-old who is a worthy adversary to Mickey; CHIP (Thomas Barbusca, “The New Normal,” “Grey’s Anatomy”), 13, an arrogant, entitled neo-con-in-the-making with an extremely punchable face; and BEN (newcomer Jack Stanton), seven, an adorably fragile nerd.
The life that Mickey has wanted for so long now is within her reach – the mansion, the convertible, the swimming pool, the walk-in closet full of designer clothes. But as Mickey is well aware, nothing in life is free. The price? Transforming these outrageously spoiled children into honest, hard-working, decent members of society – something this foul-mouthed, debaucherous and completely out-of-her-element woman knows absolutely nothing about. Being a mother was never in Mickey’s game plan, but these kids desperately need a parent. And as irresponsible as Mickey has been her entire life, she may discover that responsibility and motherhood aren’t the buzzkill she always thought they would be.
The clock ticks again with 24: LEGACY, the next evolution of the Emmy Award-winning “24.” From Emmy Award-winning executive producer Howard Gordon (“Homeland,” “24: Live Another Day”), Academy Award- and Emmy Award-winning executive producer Brian Grazer (“A Beautiful Mind,” “24”), writers and executive producers Manny Coto and Evan Katz (“24,” “24: Live Another Day”), director and executive producer Stephen Hopkins (“24”) and executive producer and original series star Kiefer Sutherland, 24: LEGACY chronicles an adrenaline-fueled race against the clock to stop a devastating terrorist attack on United States soil – in the same real-time format that has propelled this genre-defining series.
Six months ago in Yemen, an elite squad of U.S. Army Rangers, led by Sergeant ERIC CARTER (Corey Hawkins, “Straight Outta Compton”), killed terrorist leader Sheik Ibrahim Bin-Khalid. In the aftermath, Bin-Khalid’s followers declared a fatwah against Carter, his squad and their families, forcing them into federal witness protection. But a recent attempt on Carter’s own life makes it clear to him that his team is now exposed. To thwart further attacks, Carter enlists REBECCA INGRAM (Miranda Otto, “Homeland”), who quarterbacked the raid that killed Bin-Khalid. She’s a brilliant and ambitious intelligence officer who has stepped down from her post as National Director of CTU to support her husband, SENATOR JOHN DONOVAN (Emmy and Golden Globe Award winner Jimmy Smits, “NYPD Blue,” “The West Wing”), in his campaign for President of the United States. Decades of sleepless nights and missed anniversaries landed her at the top. With the White House within their grasp, can she truly embrace a new role as First Lady? Or will her love of the action draw her back in? Together, in this fast-paced thrill ride, Carter and Ingram uncover a sophisticated terrorist network that will force them to ask: “Who can we trust?” As they battle Bin-Khalid’s devotees, they are forced to confront their own identities, families and pasts.
PRISON BREAK is back and ready for its biggest escape yet.
In the thrilling new event series PRISON BREAK, original series stars Wentworth Miller, Dominic Purcell, Sarah Wayne Callies, Amaury Nolasco, Robert Knepper, Rockmond Dunbar and Paul Adelstein are reunited for an all-new adventure spanning the globe and featuring the signature thrills and cliffhangers that were hallmarks of the original series when it aired on FOX from 2005-2009. The original action drama centered on MICHAEL SCOFIELD (Miller, “The Loft”), a young man determined to save his convicted brother, LINCOLN BURROWS (Purcell, “DC’s Legends of Tomorrow”), from death row by hatching an elaborate plan to escape from prison. In the all-new event series, filmed on location in Morocco, clues surface that suggest a previously thought-to-be-dead Michael may be alive. Lincoln and SARA (Sarah Wayne Callies, “Colony,” “The Walking Dead”), Michael’s wife until he was assumed dead, reunite to engineer the series’ biggest escape ever, as three of Fox River State Penitentiary’s most notorious escapees, SUCRE (Nolasco, “Telenovela”), T-BAG (Knepper, “Heroes”) and C-NOTE (Dunbar, “The Mentalist”), are pulled back into the action. “Prison Break” was an immediate critical and ratings hit when it premiered on FOX in the fall of 2005, garnering Golden Globe Award nominations for Best Television Series – Drama and Best Performance by an Actor in a Television Series – Drama (Miller). The original producing team, including series creator Paul T. Scheuring, Neal Moritz, Marty Adelstein and Dawn Olmstead, will return to executive-produce the new series, with Scheuring serving as showrunner/writer.
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